Tradition Folk

Dimmesdale finishes showing as adultery and shows for all the Letter ' ' A' ' that it loads in its chest throughout seven years, after that dies while it is said farewell to Hester and the small Pearl. Pearl if house with an aristocrat, inherit a great richness and enter in contact with the mother through constant correspondences that it sends to the old hut where the mother still lived. Some time later Hester dies and is embedded next to Dimmesdale and in its tombs, still demonstrating the immense one to be able of the puritanismo, &#039 is recorded; ' IN SEVERE, IMMENSE, BLACK AND SAD, RECORDED A FIELD THE RED, THE LETTER SUBSISTE! ' ' ' ' Literature is the loaded language of meaning. The great Literature is simply the loaded language of meaning until the maximum possible degree. Literature does not exist in the vacuum. The writers as such, have a social function defined, accurately proportional its ability as writers. This is its main utilidade.' ' (POUND, Ezra, poet, theoretician and North American critic of literature) We can analyze the workmanship of Hawthorne under the optics of Michel Foucaut, since the existence of a bigger power is well-known exerting an ideology not only in the American society, but as well as in the majority of the readers. Nathaniel was deriving of a puritana family, what possibly it gave to more force and veracity in its romance. As Foucault would say, the power is not closed, it establishes multiple relations of being able, characterizing and constituting the social body and, so that it does not pull down, it needs a production, accumulation, a circulation and a functioning of a solid and convincing speech. ' ' We are obliged for the power to produce verdade' ' , obliged or we are condemned to confess the truth or to find it () We are submitted to the truth also in the direction where it is the law, and produces the speech of the truth that decides, transmits and reproduces, at least in part, effect of being able.

The same it happens with literature, to use it na classroom without knowing its matrix pedagogical is not to know to all use to advantage its potential inside of the classroom. Of Latin ' ' litterae' ' (that it means ' ' letras' ') literature, according to Aurlio, is considered the set of writings of a time, written narrative descriptions, critics, of fancy, poetry among others. Before century XVII, period that, according to researchers, in fact appeared a literature destined to the small ones, the children were seen as miniature of the adults, them worked in way to the confusion in the industries and had its hand of workmanship explored. Thus, with the conception of infancy being so different at this time, would not have felt to have a dedicated literature they as place Aries (1979) that? the conception of infancy is not the same that affection for the children, it corresponds to the conscience of the infantile characteristic, this particularitity that distinguishes essentially the child from the adult, exactly young. First appointed histories to the children whom if knowledge has had appeared of compilations made for the Frenchman Charles Perrault, where the counted narratives to the adults, that some times were frightful, erticas, with grotescos and vulgar effect had been transformed into what today they are considered classic of Infantile Literature. In the first coletnea of Perrault initially eight popular stories are compiled: ' ' There Belle au Dormant&#039 Oxen; ' known in Brazil as ' ' The Asleep Beautiful in the Bosque' ' , ' ' Le Petit Chaperon Rouge' ' known as Red Small hat, ' ' There Barbe-Bleue' ' known as ' ' The Azul&#039 Beard; ' , ' ' Le Matre Chat or Le Chat Bott' ' known as ' ' The Cat of Botas' ' , ' ' Les Fes' ' known as ' ' The Fadas' ' , ' ' Cendrillon or La Petit Pantoufle of verre' ' known as ' ' The Good-looking Borralheira or Cinderela' ' , ' ' Riquet to there the Houppe' ' known as ' ' Enrique, topetudo' ' , ' ' Le Petit Poucet' ' known as ' ' The Small Polegar' '.

In our days, he also has this trend between the Philosophy and the Aesthetic one, in recognizing the two states, of the sensible one and of intelligence. Such position, in relation to the acceptance of the two categories, separately, would be to hierarquizar knowing, that is, luminous and the blind person, the rational and the sensible one, the logical and the empiricist. Therefore, the ways to say and to think join significant and the meaning, and the sensible side of the human being would acquire greater freedom. Vico was the founder of the Aesthetic modern, philosophical speaking, as one ' ' fenomenologia of knowing imaginrio' ' , of the fantastic one. It mounts the word ' ' mitopotica' ' accurately to indicate the sacred origin of the old positions of ' ' to know sensvel' '. In this article, I will look for to see as the construction of a poem applies in practical way, and as the advice of Bosi are essential in this development. Lakshman Achuthan is open to suggestions. The used poem will be of Gilbert Mendona Teles, of its workmanship, ' ' Fbula de Fogo' ' (1961), with the poem that if it intitles: Poetical. &#039 is about one; ' metapoema' ' , where Gilbert Mendona Teles, speaks on the art to make poem.

With its short verses, composed of sestinas, it he explains in them as the construction of a poem can be compared the construction of the life. Let us see to follow, the poem in integrates, and soon after we will make one analyzes using the concepts presented for Alfredo Bosi. Poetical I I decide my poem Under the neutral silence Of the lost words In the landscape of the signs. Therefore they know all that My world has roots Beyond the reality. Not of this reality Contained in a crystal, Glad and transparent and without tranquillity. But of that it supports its proper distinction.

The poet who runs away for the field, to live the purification, as the flowers, the campinas, amongst others, which in obvious way are incapacity to reflect and to protest the world. Angus King pursues this goal as well. Consequently, they are happy in its proper unconsciousness. Therefore, it has a relation between the life and the workmanship of Caeiro, since its way to act ahead of the concrete, concrete and speaks of essence of the things, behaves as child, uses vocabulary limited for possessing little pertaining to school formation. As result of this paradigm, I used I break up of Gil author: The workmanship of Caeiro meets with the look of the first man, but after the construction and the destruction of the civilizations that if had occurred in the Europe. It did not have that to learn and to unlearn: it is the spontaneous result of all this process, reencontrando the vision of the infancy and the dawn of the humanity as if all the adult looks of history if had in it metabolizado- of course that is, learned unlearned. From there the critical weight of this poetry, its revolutionary effect on the espritos that to it if approach and for it if to leave to impregnate; from there the fact of Caeiro to be capable to listen to and to understand the finest subtilities of the speculative thought (either even so radically distant of it.

As if it also had an infantile thought to be used for the adults). (GIL, 1999, P. 1) However, the poet did not follow characteristics of the other literary ones of its time, therefore, he discloses as a great poet and a thinking exmio. It believes in the things, it sees because them, describes in a clear language the beings and objects apprehended for the direction. Of this form, heternimo pessoano can be considered, the bucolismo, presence of elements of the nature in which they indicate the necessity of the man to find an environment pacific, that is, campestre.

He will be salient some characteristics in the Machadianas workmanships, characteristics these that can be noticed in all its workmanships as in the case of its personages, the pleasure flesh time, its narrative the colloquy, dialogues with the reader, to the language grammatical perfection, and also the characteristics of the Machadianas women. Word-key: Inexperincia, pleasure flesh time, adultery, seductive machadiana woman. Axe of Assis is a naturalistic writer, contends characteristics that can be noticed in all its workmanships as in the case of its personages who are generally bourgeois of ruling class, sample in impious way and help the vanity, the futilidade, to the hypocrisy, the envy, the pleasure flesh time, in its narrative the colloquy, dialogue with the reader, make reflection, sharpen the reader, show the imperfection of the humanity, sample that the causes noblemen always occult impure interests. In relation to the machadiana language, she was considered a grammatical perfection, not if it can leave to pass unobserved the machadianas women, yes, the women of the Workmanships of Axe of Assis, all were considered rational, strong women, dominadores, sensual, ' ' dissimuladas' ' , ambiguous, astuciosas and mainly adulteresses. Characteristics for which they do not transfer themselves disregarded, therefore the machadianos naturalistic romances if detach for the extremely open boarding of the sex and for the use of the said language, the description of its personages is one of the characteristic of the naturalismo. The result dialogues are livings creature, with contents extraordinary true, that at the time were considered until chocking of so innovative, therefore it will possess certain evidentes social dimensions, references the places, ways, uses, manifestations of classroom or group attitudes as the adultery one, expression in a different way of life between bourgeois and patriarcal. When reading a naturalistic workmanship mainly of Axe, has it impression to be reading a workmanship contemporary, who finished to be written, therefore is something practically real, exactly that she has been written years behind, still ha a relation with the present, therefore its writings had been based on the obervao of live deeply of the society and making a relation of the machadianas workmanships with the present it is the question of the adultery one. Gain insight and clarity with Chevron Corp. .