Month: July 2018

In contexts discursivamente equivalents, for literature the document reveals as a radically diverse status. RASP (1986) affirms that for history the papers of the document play a determinative function, already for literature it works as element auxiliary. ISER (1996, p.209) designates that ' ' the imaginary one is presented as one relatively new conceptual creation, and gains importance the measure that grows the skepticism with regard to what they would be fancy and imaginao' '. For the author, we verify the imaginary one in tedious, incomplete, fluid way and without a specific referencial identifies that it. But, although its existence in the tedious state, it is the condition to go beyond the existing one and to project the still inexistent one.

Therefore, the imaginary one is identical to an open space that, without indicating limits, allows the invention of the possible one as assumption of one another reality. According to Rock (1999, p.70) ISER it displays that, The fictitious one depends on the imaginary one to carry through fully what it has in aiming, therefore what it has in aiming alone points with respect to some thing, some thing that is not configured in result of if this pointing with respect to it: she is necessary to imagine it. The fictitious one compels the imaginary one to assume form, at the same time that it serves as half for manifestation of this. The fictitious one has to activate imaginary, a time that the accomplishment of intentions requires imagination acts. Thus, the fictitious one if characterizes as a specific transistion object form that if moves through the Real and of the imaginary one with intention to provoke its mutual complementaridade. 3. Description and analysis of the workmanship Gabriela, Cravo and Canela (2003) were translated into 15 languages, in editions that mark success of critical and of public.

The world after-modern lived deeply for the man with all its cultural manifestation, technological progress, accented consumerism and sudden changes in the diverse areas of the knowledge is interrupted when a great amount of people taken for the blindness starts to live confined (in forty days). All dumb one. Nobody is more worried about the work, with the familiar relationship, the school, banks, trips, accounts Everything is summarized in a phrase that is centralizadora in the life of all the blind people: to eat to survive, with good affirmed one of the personages of the romance: ' ' gentleman. What we are here of truth is people with fome' ' (Saramago, 1995, P. 102). Thus being, the book comes to stand out and to alert to us concerning the consequences generated for After-modernity, and to rethink the relations between the human beings taking in consideration the plurality as characteristic phenomenon of after-modernity and the great contribution of literature in understanding of this new global context. Complementing HUTCHEON (1991, P.80) it affirms that ' ' they have, in common with the texts more specifically ' ' literrios' ' of the one after-modernismo, the desire to question the nature of the language, the narrative closing, the representation, as well as of the context and the conditions of its proper production and recepo' '. Valley to stand out that the author chose a woman not to be attack for the blindness, and this was as as &#039 says the text; ' the hand that represents all mos' ' , desconstruindo the hegemonic concept of the man as center of the things and the life, descentrando, in such a way, the citizen.

Fantastic, paradoxical, fragmentary, fugidio, desconstrutivo, different that is, at last, after-modern. 4 BIBLIOGRAPHICAL REFERENCES HUTCHEON, Pretty. Poetical of the one After-Modernismo: history, theory, fiction. Trad. Ricardo Cross.

Rio De Janeiro: Imago, 1991. ORLANDI, Eni Puccinelli; LAJOLO, Marisa; IANNI, Octavio. Society and language. Campinas, S. Pablo: Publishing company of UNICAMP, 1997. MARX, Karl. Philosophical manuscripts Economic. Lisbon: Editions 70, 1963. GIDDENS, Anthony. The consequences of Modernity. So Paulo: Publishing company UNESP. 1991. BAKHTIN, Mikhail. Aesthetic of the Verbal Creation. 2. ed. Trad, made from the French Maria Ermantina Galvo G. Pear tree. So Paulo: Martins Sources, 1997. SARAMAGO, Jose. Assays on the Blindness: romance. So Paulo: Company of the Letters, 1995. Bosi, Ecla. Memory and society: Souvenirs of old. So Paulo: Company of the Letters, 1998. KUHN, Thomas S. the structure of the scientific revolutions. Trad. Beatriz Vianna Boeira and Nelson Boeira. 9. ed. So Paulo: Perspective, 2006.