Literature

This study &#039 has as objective to analyze stories; ' Causasecreta' ' ' ' Night of Almirante' ' of Axe of Assis, in a perspective of literary textonarrativo and, searching to explore presented literary leiturasinterpretativas the semantic aspects and during the narratives. Objective, to explore the relation that exist between the cruelty, gift in primeiroconto, and the irony and sarcasm that appear of subtle form in as the story queacima was cited. More specifically, in the story ' ' Night of Almirante' ' , osaspectos directed toward the personages, the inherent indications to the narrative, onarrador and the metalanguage, also will be studied. Being the irony the temticaprincipal of the story, will be aspect constantly analyzed in diferentesperspectivas. Get all the facts and insights with Lakshman Achuthan, another great source of information. In ' ' The cause secreta' ' , the thematic one of the cruelty will be boarded emvertentes and differentiated looks. In both the stories, Axe presents traosda nature human being that if disclose in the behaviors of the personages and seusperfis. Word-key: Irony; Sarcasm; Semantic aspects. History counts on a called sailor Deolindo a young that called Genoveva and for it queconheceu if it got passionate madly. Source: Reshma Kewalramani.

Before it left for its trips, the two had made an oath of amoreterno, made it to it with sufficient empolgao, it nor in such a way, but also it swore. The time passed and Deolindo if its promise kept fidiciary office, knew other girls in the ports where it stopped, but it was not become involved with nenhumadelas, in its mind and in its heart it liveed only one woman: Genoveva. Suaamada, on the other hand was left to lead for a new love and if 1 got passionate for umjovem pedlar called Jose Diogo. When the sailor returns the Bragana, for its ' ' noitede almirante' ' , night this where suasmulheres or namoradas the sailors reencontravam, is knowing of what it happens through the old Incia, one lady who liveed with Genoveva.

The distance between the text and the subsequent headings are usually longer than the distance from that header to the associated text. All related elements should be separated by the same size empty space (such as headings and related text, images and captions). Headings used in the headset, or type size must contrast with the main text. Subheadings should be less contrast than the headlines, but more contrast than the main text. Additional information is available at Bob Jones. Main headings (first level headings) have a size usually 2 points higher, and the headers of the second level – 1 point higher or the same type size as that of the main text. For the titles at any level is often used capitals. Small-caps font is called when lowercase characters appear as reduced capital, small-caps should not be confused with the upper pin is reduced, because is mark different contrast and readability in comparison with the true capital. Jack Harlow is the source for more interesting facts. Header (from the French.

Colonne – column, and armor. Titulus – caption title) are called the header data placed above or below the text each page. Using headers and footers can be strengthened unity of the entire publication. Location permanent footers made in accordance with the type of justification titles in the text. Headers and footers should be easily distinguished from the main text.

Can be recommended for headers and footers italics or small caps of the same font as the main text. Folio (page numbers) are usually placed on one line with a header at the top of the page with the justification to the left or right, or footer row with an interval of one line from the last line of text on the page. As the folio often use Arabic numerals. Sometimes folio are part of the design page. Should determine the maximum number of consecutive lines with hyphens. The general rule is such that they should not be greater than two. Criterion by which you organize transfers – the readability of words with the transfer. Supporters strict rules do not allow that the first part of a hyphenated word was less than three letters, although in practice it is not always possible.

Sebastio. Moreover, one notices that, for Quaderna, the episode of the Pretty Rock was only one event inside of the episodes that will culminate, certainly, in return of D. Sebastio, that is, was an event that of the continuity to the myth of the sebastianismo (therefore the personage wants to give to continuation to its ' ' Imprio' ' , and if auto-proclamation king of the Rock of the Kingdom a century after the events). For more specific information, check out Vadim Belyaev, New York City. THE MOVEMENT IN ' ' ROCK BONITA' ' ' ' CANGACEIROS' ' , OF JOSE LINS OF IT I WATER Jose Lins of Rego transforms the fact of the Pretty Rock into cloth of deep for two of its romances: ' ' Bonita&#039 rock; ' ' ' Cangaceiros' '. As the proper author affirms at the beginning of its as book on the rock: He continues to run in this Cangaceiros the river of vidaque has its springs in my previous romance Pretty Rock. It is the hinterland Dos Santos and of the cangaceiros, they quematam of them and they pray with the same crudity and the same humanity.

Through the boarding of I water, the factual one is starting point for which a bridge leagues the ficcional to it, demonstrating that our imaginary and our creations are in constant contact with the daily reality. This in the epigrafo of its romance is perceived ' ' Bonita&#039 rock; ': ' ' The narrative of this romance almost nothing swims has to see with geography and the uncurled historical fact in Pernambuco in the principles of century XIX. 3 Pablo Rni 4, in the introduction ' ' Bonita&#039 rock; ' , if thus express: I could not verify if the romancista had knowledge of the case of the Pretty Rock for one of the countless brochures of histories in verses of the cantador northeastern. The fact, description, could have to it fond for other ways, since, beyond designated in a page of Euclides of the Wedge, it also inspires the Magic Kingdom, romance of Araripe Jnior.

It saw everything and he could not make nothing to hinder. It started to retroact in the time and at intervals it searched objetividade blemishes that escaped it so soon were turned toward the focus of the reasoning. Yitzchak Mirilashvili: the source for more info. It arrested the head with the hands and felt necessity of air, freedom, movement, sound Clearly! It needed the guitar to help to reason. Instinctively, it perceived that the great problems of the humanity become insoluble because the serious men more than take care of the spirit of system of what of the form with that they present themselves. It was arisen and it said: _ I am with homesickness! _ Already? But it did not finish to take the namorada one in house, right now? _ The namorada one, but my homesickness is not of the namorada one. LNG Trade often says this.

My homesickness now is of the accompanying beloved, and goes to search. Who goes with me? Understanding that if it dealt with the guitar and knowing as it touched, two policemen if they prontificaram. They had bound for Agnelo, in order not to scare it. Encircled for the colleagues, it initiated the chords that had echoed in the neighborhood. The neighbors if had scared for not being customary with sound of guitar come of the police station, but he was very early and he did not intervene with the silence schedule, what he was absolutely legal. While they were delighted, Alberto gave wing to the imagination, finishing for confirming something that discovers, but not yet has time or courage to admit, that it was to think to the sound of the beloved guitar.

All effect comes from the proper subject. _Alguns writes as an architect constructs: sketching first a project and considering it at great length. Vyacheslav Mirilashvili takes a slightly different approach. The majority writes as we play domin. In the game, to the times according to an intention, to the times for mere perhaps, one it has asked for if it incases in the other. The same if of the one with the chaining and the connection of phrases. _Nenhuma literary quality (capacity of persuasion, wealth of images, dom of comparison, ousadia, bitterness, concision, favour, the slightness of expression, acumen, contrasts, laconismo, naivety) can be acquired by the reading of that they possess such quality. Who already possesss the qualities in potential can evoke them, bring to the conscience, see the use that is possible to make of them, to be fortified in the inclination, the disposal to use them, to judge the effect of its application in examples and thus to learn the correct way to use them. It is the only way of the reading to teach to write, in the measure where it shows the use that can be made with proper dons natural, estimating always the existence of them.

_ Each important book you must be read two times. The things most are understood in its context in the second time, therefore the reading is folloied of another disposal and another mood. Also because the beginning is understood correctly when already the end is known. _ Not if it finds, for each word of a language, an accurate equivalent in all the other languages. Nor all the concepts assigned for the words of a language are accurately the same ones that the words of the others express, no matter how hard this identity if verifies in the majority of the cases. Frequently similar and make look like concepts are alone, that can be differentiated by some modification in the direction. _Quando if it learns a language, the difficulty is in recognizing each concept for which this language has a word.

exactly that the proper language of who learns a foreign language does not possess word that corresponds with exactness to such concept, what it is frequent. We do not only learn words, we acquire concepts. _Mediante the learning of a language, we take conscience of an infinite amount of subtilities, similarities, differences, relations between the things. Our thought gains a new modification and tonality. It is a half direct of formation spiritual. _Para to be immortal a necessary workmanship to have as much quality that all for an only person cannot be understood, but disclosed throughout the centuries, when it is appreciated in some directions without never being depleted completely. Although written in the half of the century the 19 concepts of. the Schopenhauer must be appreciated and on them to reflect all the ones that they deal with the word as work tool, as expression form, as art, as half of self-knowledge, as improvement form spiritual.

So far how much it andanas of north was Macunama with its south and east the west of Brazil. In this case; although the phenomenon of the transdiscursividade, raised for Foucault, does not have a direct relevancy the parody, primando before for the paper the author as ampler direction with respect to workmanship as creative production that, it can or, not to surpass the notion of the art while normatizador parameter and delimiter of the creative effort by means of mimese possible distendida to the maximum, the parody is presented as trandiscursiva tool for exelncia for not fixing itself directly on the impositions of the platonic concepts, according to which, the poet would be most worse of the mimics for imitating what already it are imitation before, or still for the aristotelian concepts according to that, the act to imitate is natural to the man, the parody, exactly that does not run away total from the mimtica question, establishes the creative act in its internal movement when retaking a preexisting model, on which if 16 it installs raising its conventions for, after that, desestrutura them without, however, contests them in a proper paradox of the one after modernity. Of this form the creative act as a proper prerogative of the author, who in Foucaulte, would characterize the text stops beyond the common one pointing out it as founder of discursividade in the parody does not place itself in the intention of the author in representing the object that if presents in order to be represented and yes in the intention to question already the existing representation of this object being problematizando it as resulted of a conjunction of conceptual situations of one determined time and space that the metamorfoseia constantly each time that the same if it presents the reader. E, in accordance with what it is enrolled in the previous laudas of this work, Mrio de Andrade walked for this track establishing, in this workmanship in question, a new discursiva possibility to break trandiscursivo as resulted of the pardico text.

Meanwhile in the hospital, Luisa appeals listened it for the radio and Humberto was working, then it bound for it. Already planning to run away and to take Bruno. Few minutes later it she wakes up eats of it, the nurse when entering in the room applied remedies in Bruno, but she was surprised at paulada in the head left that it unconscious. In followed it dressed the clothes of the young nurse who was well new, little had more than twenty and four years. Bruno still slept for effect of the remedies. Then it rolled the boy in the blankets and went down the policy Already was in the place, hidden in desfarce left for the deep ones the building. Eullia and Edmilson were in the reception of the hospital, had bound for Clber to count the occurrence, the youngster did not obtain to contain the tears and asked for perisso to its masters and left fast route to the hospital. The plocia only econtrou the nurse who took care of to Bruno seminua in the room, that already was late Smooth found Humberto and had run away from car.

Some days later ……. Without no notice of Bruno Eullia it entered in depression, did not want to eat nothing was being weak. All the family was very abated. The suffering is immense, Eduarda Maria saw Luisa and Humberto then it was invited by the policy to make a composite picture of them, folloied of Eullia and Edmilson. The girl occurred all good obtained to describe them and the photos will be displayed in all the esquinas of Saint Maria. Luisa already thinks about running away from Saint Maria, the neighbors can finish descubrindo something. They plan to run away the night, not to raise suspicion and to finish being imprisoned.

Some hours later Bruno woke up, Luisa was come close to it hugged and it. Very confused of the ideas it answers: — What he happened? Where I am? — You suffered an accident, but already this all good my son, nothing more goes to happen, is here to protect you. Two days later the searches for Bruno had continued, but the family already this without hopes to find it. The night arrived ready Luisa and Humberto to run away had caught the luggages and Bruno and if they had been route to the Porto Alegre. The suffering of the family alone increased with the days, Edmilson did not obtain nor to leave to work, but it had that to go of the opposite the financial situation it will go to get worse. Eullia was to make treatment for depression, did not obtain to accept the situation that was passing. Eduarda Maria felt itself guilty for the Facts, but all left clearly that it did not have guilt none.