Denaturing to the traditional man from a sort perspective " typical or traditional man " one went away constructing maintaining that the masculine thing is the dominant thing, and is legitimized; against this background the woman appears like a being inferior, weak, needed taken care of and protection, possessing of the maternal instinct, therefore " she must take care of the children and take care of the home " , while the man is like a strong, brave, active, competitive being in charge to exert the authority, external supplier of the home and the family. The imposition of values, customs, of a certain society influence to assign to each sort a certain roll. Some of the accepted values of the man like " normal " they are: necessity to prevail, to be robust, to expose its virilidad, to own hard, distant appearance, to instill respect, among others; this entails to a profusion of distortions and the imposition of fixed rolls, determined gestures and corporal habits: to be man is not to cry, not to demonstrate emotions, not to blush like a woman, to hold the punishment without complaints, to be arranged to fight with its hands when it is necessary, not to let themselves intimidate by the presence of other men, etc. This means that an amalgam of stereotypes has settled down to represent what is to be " typical or traditional man " , next to all this, the division of rolls visualizes, that is to say, according to the sort " the things of men " and " the things of women " , that with as much force they have traditionally defined – and still in many societies it continues existing – the central place of the man. These characteristics that have been enunciated have to do with a process, an extensive process that has relation for example with: the attitudes of the majors to the minors, the instilled relation of the parents with the children, traditional mandates from the education, the forms of the game, the small responsibilities assigned according to sex, among others; all these characteristics they form the identifications of each sort. .
The festivities around the vine, harvest, harvest began in Mendoza, timidly, during the 1930s. In those moments, was an exclusive party for the workers in the harvest. Today, it is the great feast of the mendocino people, a celebration that attracts tourists from the country and the world and color lasting memories of holidays in Mendoza. The festivities begin in January and end in March and encompass cultural, sporting and religious demonstrations. Summer, time in which collects the fruit of the vine, lends its ideal framework to the celebrations, culminating the first Saturday of the month of March in the capital city, Mendoza, with the traditional and most shocking ever national harvest festival.
The popular festival of greater magnitude nationwide was conducted for the first time in 1936, inspired by the simple celebrations of workers of the vine. These, mostly immigrants, had usually thank the Earth and God, with dances and songs, at the end of the work of cocecha of the grapes and the winemaking. The celebrations They included the choice of the most beautiful girls combine harvesters to Crown it with vine leaves and bunches of grapes. A tradition that is still alive today through the contest that is chosen to the national vintage Queen. Mendoza beauty which is no longer to raise the harvest, but to promote tourism in Mendoza for the country and the world. Frank Romero Day, from the capital city, the central Act of the harvest festival takes place in the amphitheatre and year-on-year gains in technological deployment, creativity and innovation. An average of 30000 spectators colman at each party the great offer of accommodation in Mendoza, in order to enjoy a unique spectacle.
The figures don’t lie: more than 800 artists in scene, 600 luminaries and 1 tons of pyrotechnics of height realize the magnitude of the spectacle and the importance that has for the people of the beautiful province of Cuyo. The 2011 edition of the feast of the harvest will not be one more, that will be held no less than shining of the traditional celebrations weddings. And the Mendoza now they work to full so it was an unforgettable occasion.
The Tarot is a book with pictures and symbols, whose plates are articulated together, forming a code. It is the origin of all card games, but its esoteric meaning not be retained in public. His birth, it is said, dates back to ancient Egypt, and he is a way of transmitting secret and sacred symbols of the initiated airtight, whose peak is achieved in the Middle Ages and early Renaissance. In fact, the Tarot is a book that instead of being written with words derived from a phonetic alphabet is embodied programmatic and pictographic symbols, filled with various meanings, which work together with each other. We must therefore begin by explaining the meaning and value of symbols and rituals for the Traditional Science, its scope, which goes beyond what the general reader can imagine. We’ll also doing the same with regard to relations linking this system with the Tree of Life Kabbalah, numerology, alchemy and astrology, disciplines, all belonging to the Hermetic Tradition and the Book of Thoth synthesized in the corpus esoteric. The Tarot as an instrument of knowledge has been specially designed by the alchemists, philosophers and magicians of the Hermetic Tradition (Unanimous Tradition beam, condensed by the Alexandrian philosophers and expressed in the Corpus Hermeticum, attributed to Hermes Trismegistus), not only to awaken images and visions, but to also explain the cosmology is also a popular and effective predictive vehicle, as aforesaid, and especially a starter secrets and mysteries, which we know, are also in ourselves and in our environment. .
Learn more about the traditional art in France. The traditional know-how is expressed in France in the most diverse ways. The French are very of this knowledge, that is passed from generation to generation, as it is an important part of the cultural identity of their region. Many craft traditions involve manufacturing secrets passed only to selected people. In the course of time, the traditional know-how has become a part of the collective memory.
And some of them were recorded even by UNESCO in the list of masterpieces of the oral and intangible heritage of humanity, such as for example the needle embroidery of Alencon or the rugs from Aubusson. The authentic character of the traditional know-how in France finds itself in the France-Voyage.com travel guide, in which the reader can discover living treasures of craftsmanship creativity: the rugged knife from Nogent, the subtle and floral fragrances in Grasse, the fine porcelain from Limoges, the harmonic Accordion music from tulle, the mild flavor of the anise candy from Flavigny, or also the pure crystal from Baccarat. Who wants to deepen his journey of discovery, is information invaluable over the origins of the traditions and the present working methods in the museums of local and practical courses on the know-how. Many craftsmen gladly open their workshop for visitors and can look at work on the shoulder. It should be not forgetting but also that growing globalization threatens the continued existence of this traditional know-how. The necessary adaptation of the work techniques, to provide the face of increasing competition and the mass production is often very difficult. To check that we keep alive the traditions of France, about the work of the craftsmen therefore means, to respect, to share and protect an extraordinary cultural heritage. Like to learn more about this topic, can take a look in the panorama of the arts and Traditions throw, which is offered by the travel guide France-Voyage.com.