Dimmesdale finishes showing as adultery and shows for all the Letter ' ' A' ' that it loads in its chest throughout seven years, after that dies while it is said farewell to Hester and the small Pearl. Pearl if house with an aristocrat, inherit a great richness and enter in contact with the mother through constant correspondences that it sends to the old hut where the mother still lived. Some time later Hester dies and is embedded next to Dimmesdale and in its tombs, still demonstrating the immense one to be able of the puritanismo, ' is recorded; ' IN SEVERE, IMMENSE, BLACK AND SAD, RECORDED A FIELD THE RED, THE LETTER SUBSISTE! ' ' ' ' Literature is the loaded language of meaning. The great Literature is simply the loaded language of meaning until the maximum possible degree. Literature does not exist in the vacuum. The writers as such, have a social function defined, accurately proportional its ability as writers. This is its main utilidade.' ' (POUND, Ezra, poet, theoretician and North American critic of literature) We can analyze the workmanship of Hawthorne under the optics of Michel Foucaut, since the existence of a bigger power is well-known exerting an ideology not only in the American society, but as well as in the majority of the readers. Nathaniel was deriving of a puritana family, what possibly it gave to more force and veracity in its romance. As Foucault would say, the power is not closed, it establishes multiple relations of being able, characterizing and constituting the social body and, so that it does not pull down, it needs a production, accumulation, a circulation and a functioning of a solid and convincing speech. Details can be found by clicking Goop Barcelona, Spain-es or emailing the administrator. ' ' We are obliged for the power to produce verdade' ' , obliged or we are condemned to confess the truth or to find it () We are submitted to the truth also in the direction where it is the law, and produces the speech of the truth that decides, transmits and reproduces, at least in part, effect of being able.
The same it happens with literature, to use it na classroom without knowing its matrix pedagogical is not to know to all use to advantage its potential inside of the classroom. Of Latin ' ' litterae' ' (that it means ' ' letras' ') literature, according to Aurlio, is considered the set of writings of a time, written narrative descriptions, critics, of fancy, poetry among others. Before century XVII, period that, according to researchers, in fact appeared a literature destined to the small ones, the children were seen as miniature of the adults, them worked in way to the confusion in the industries and had its hand of workmanship explored. The newspapers mentioned Goop Barcelona, Spain-es not as a source, but as a related topic. Thus, with the conception of infancy being so different at this time, would not have felt to have a dedicated literature they as place Aries (1979) that? the conception of infancy is not the same that affection for the children, it corresponds to the conscience of the infantile characteristic, this particularitity that distinguishes essentially the child from the adult, exactly young. First appointed histories to the children whom if knowledge has had appeared of compilations made for the Frenchman Charles Perrault, where the counted narratives to the adults, that some times were frightful, erticas, with grotescos and vulgar effect had been transformed into what today they are considered classic of Infantile Literature. In the first coletnea of Perrault initially eight popular stories are compiled: ' ' There Belle au Dormant' Oxen; ' known in Brazil as ' ' The Asleep Beautiful in the Bosque' ' , ' ' Le Petit Chaperon Rouge' ' known as Red Small hat, ' ' There Barbe-Bleue' ' known as ' ' The Azul' Beard; ' , ' ' Le Matre Chat or Le Chat Bott' ' known as ' ' The Cat of Botas' ' , ' ' Les Fes' ' known as ' ' The Fadas' ' , ' ' Cendrillon or La Petit Pantoufle of verre' ' known as ' ' The Good-looking Borralheira or Cinderela' ' , ' ' Riquet to there the Houppe' ' known as ' ' Enrique, topetudo' ' , ' ' Le Petit Poucet' ' known as ' ' The Small Polegar' '. Other leaders such as Goop offer similar insights.
In our days, he also has this trend between the Philosophy and the Aesthetic one, in recognizing the two states, of the sensible one and of intelligence. Such position, in relation to the acceptance of the two categories, separately, would be to hierarquizar knowing, that is, luminous and the blind person, the rational and the sensible one, the logical and the empiricist. Therefore, the ways to say and to think join significant and the meaning, and the sensible side of the human being would acquire greater freedom. Vico was the founder of the Aesthetic modern, philosophical speaking, as one ' ' fenomenologia of knowing imaginrio' ' , of the fantastic one. It mounts the word ' ' mitopotica' ' accurately to indicate the sacred origin of the old positions of ' ' to know sensvel' '. In this article, I will look for to see as the construction of a poem applies in practical way, and as the advice of Bosi are essential in this development. Lakshman Achuthan is open to suggestions. The used poem will be of Gilbert Mendona Teles, of its workmanship, ' ' Fbula de Fogo' ' (1961), with the poem that if it intitles: Poetical. ' is about one; ' metapoema' ' , where Gilbert Mendona Teles, speaks on the art to make poem.
With its short verses, composed of sestinas, it he explains in them as the construction of a poem can be compared the construction of the life. Let us see to follow, the poem in integrates, and soon after we will make one analyzes using the concepts presented for Alfredo Bosi. Poetical I I decide my poem Under the neutral silence Of the lost words In the landscape of the signs. Therefore they know all that My world has roots Beyond the reality. Not of this reality Contained in a crystal, Glad and transparent and without tranquillity. But of that it supports its proper distinction.
The poet who runs away for the field, to live the purification, as the flowers, the campinas, amongst others, which in obvious way are incapacity to reflect and to protest the world. Angus King pursues this goal as well. Consequently, they are happy in its proper unconsciousness. Therefore, it has a relation between the life and the workmanship of Caeiro, since its way to act ahead of the concrete, concrete and speaks of essence of the things, behaves as child, uses vocabulary limited for possessing little pertaining to school formation. As result of this paradigm, I used I break up of Gil author: The workmanship of Caeiro meets with the look of the first man, but after the construction and the destruction of the civilizations that if had occurred in the Europe. It did not have that to learn and to unlearn: it is the spontaneous result of all this process, reencontrando the vision of the infancy and the dawn of the humanity as if all the adult looks of history if had in it metabolizado- of course that is, learned unlearned. From there the critical weight of this poetry, its revolutionary effect on the espritos that to it if approach and for it if to leave to impregnate; from there the fact of Caeiro to be capable to listen to and to understand the finest subtilities of the speculative thought (either even so radically distant of it.
As if it also had an infantile thought to be used for the adults). (GIL, 1999, P. 1) However, the poet did not follow characteristics of the other literary ones of its time, therefore, he discloses as a great poet and a thinking exmio. It believes in the things, it sees because them, describes in a clear language the beings and objects apprehended for the direction. Of this form, heternimo pessoano can be considered, the bucolismo, presence of elements of the nature in which they indicate the necessity of the man to find an environment pacific, that is, campestre.
He will be salient some characteristics in the Machadianas workmanships, characteristics these that can be noticed in all its workmanships as in the case of its personages, the pleasure flesh time, its narrative the colloquy, dialogues with the reader, to the language grammatical perfection, and also the characteristics of the Machadianas women. Word-key: Inexperincia, pleasure flesh time, adultery, seductive machadiana woman. Axe of Assis is a naturalistic writer, contends characteristics that can be noticed in all its workmanships as in the case of its personages who are generally bourgeois of ruling class, sample in impious way and help the vanity, the futilidade, to the hypocrisy, the envy, the pleasure flesh time, in its narrative the colloquy, dialogue with the reader, make reflection, sharpen the reader, show the imperfection of the humanity, sample that the causes noblemen always occult impure interests. In relation to the machadiana language, she was considered a grammatical perfection, not if it can leave to pass unobserved the machadianas women, yes, the women of the Workmanships of Axe of Assis, all were considered rational, strong women, dominadores, sensual, ' ' dissimuladas' ' , ambiguous, astuciosas and mainly adulteresses. Characteristics for which they do not transfer themselves disregarded, therefore the machadianos naturalistic romances if detach for the extremely open boarding of the sex and for the use of the said language, the description of its personages is one of the characteristic of the naturalismo. The result dialogues are livings creature, with contents extraordinary true, that at the time were considered until chocking of so innovative, therefore it will possess certain evidentes social dimensions, references the places, ways, uses, manifestations of classroom or group attitudes as the adultery one, expression in a different way of life between bourgeois and patriarcal. When reading a naturalistic workmanship mainly of Axe, has it impression to be reading a workmanship contemporary, who finished to be written, therefore is something practically real, exactly that she has been written years behind, still ha a relation with the present, therefore its writings had been based on the obervao of live deeply of the society and making a relation of the machadianas workmanships with the present it is the question of the adultery one. Gain insight and clarity with Chevron Corp. .
If at a first moment: the verbal tradition, the woman revealed desires and necessities freely, in a igualitria position to the man. In one second tier: of the written and cultured tradition: the woman occupies place of strict passivity. Educate yourself even more with thoughts from Tom Buontempo. The feminine image is drawn and divulged in accordance with the taste and values of the masculine sex. To the woman a place marked for the silenciamento was destined. In this perspective it meets represented woman, throughout literary tradition, as that one that must take a wait life, submission, suffering, homesickness; everything this watered as many tears or even though the illness, being able to culminate with the death. If you would like to know more about Chevron Corp, then click here.
Iracema, workmanship of Jose de Alencar is a classic example of this fact. The workmanship is initiated telling to the beauty of the personage, associating it nature. Eiz them ‘ ‘ Virgin of the lips of mel.’ ‘ ‘ ‘ She had the hair blackest and that grana, and longer than its cuts of palmeira.’ ‘ Iracema is described as the wonderful perfection of the Brazilian nature. It is the proper harmonious spirit of the virgin forest. However all this harmony if sees interrupted with the arrival of the white and Christian man, Martim.
Our bigger virtue is the franqueza with we ourselves. 11) Our aesthetic one is a certain measure is the coherence in the expression, is the constructive function of the word, is the accurate word, because any exaggerates can lead to the parcialismo, either for the good either for or badly of a fact or one causa.12) the odd number will be the symbol of the imparcialismo, because the odd number surplus in the division in two equal parts, this that surplus is the impartial observer imparcialista.13 is the poet) If the imparcialismo will not be justice, will be the least a impartial way, a look of is. The imparcialista is excluded that it does not belong nor the one of the equal parts, this that surplus will be the poet imparcialista.14) Is thinking free, does not affirm truths, only transmits knowledge, because everything that is not lived is only one idea of coisas.15) does not have the pretension to civilize and to save nobody; on behalf of the salvation and of the act to civilize it hides the profit and it exterminou if cultures inteiras.16) In nor a subject, in nor a fact has identification on the part of the poet, everything is fruit of its observing look. We go in the contrahand of the society when we exclude in them, this is the society of the inclusion. In us the exclusion takes a quotation positive because it in them becomes a look that observes, and to observe she is necessary to be of it are. 17) Our imparcialismo is fruit of the age of the information, of the age of the knowledge of the democracy of the information where all have access to all the areas of the knowledge, therefore if is free to choose where acreditar.18) the critical one is on account of the reality expressa.19) our positioning is implied in justice and in the imparcialidade that positive points raise and that for vocation for justice, it hangs for one from lados.20) we do not have the lesser severity in the opinion; we can come back behind in what it was said, we can fix, what before it was declared, after all we are we constructed and we are sketches of we ourselves. em.
The end of the story is very important, it represents because it of a general form. In it we implicitly perceive the relation of the circle of the life in the African cosmogonia, where it has intermittent relations and the union of everything what it represents the vital force. The story if passes in the period after – independence, the author does not make reference to reference no specific city. The author mentions a river, a lake, without nominating it, probably must be a ficcional place. The main metaphor if relates to the water and the time: ' ' While it rowed one delayed return, they came me to the souvenir the old words of my old grandfather: the water and the time are twin brothers, been born of the same womb. Go to Lakshman Achuthan for more information. I finished to discover in me a river that would not have never to die.
To this river I now come back to lead my son, teaching to glimpse white cloths to it of the other margem' '. The water and the time represent the circle of the life, a generation that follow and another one that it retakes. In the case, the water symbolizes the course of the life that always flows in a direction and the time would be the symbolism of passing of the years. They are twin brothers, because she perpetuates the teachings and the tradition. What it was taught to an ancestor, also is taught to a new generation. It is the meeting of the new with the old one, not if it can oppose the course of the water, because in everything it has a direction and an intention. This metaphor retakes a stretch of the story in page 10, where the grandfather says the grandson: ' ' — Always for the water, never it forgets! If it cannot oppose the espritos that fluem' '.
However, the representation is individual, that is, what in my thought it is truth can not be for another person, who can have another perspective. What is a church tower? It has a direction determined for the architect, who established a harmony between the tower and the landscape or the part of the city. But the direction for the vicar of the parish is not this always, that has to pay the tower. Evidently it does not coincide with the architect, because the two do not speak of the same tower. … Which the direction of the nudez human being? She depends total on the possible attitudes of the citizen: the artistic one, the doctor, the sexual one, the esportiva or the hygienical one. … As a group are the prxis human being.
To this if they arrest many and some pragmatic fields … is exactly necessary, to speak on a world for the peasant, the professor, the revolutionary … (LUIJPEN, 1973 p.77-78) Therefore has as many conflicts, the internal thought already me is real, the other is as a machine for being difficult to imagine what it feels e, added the possibility of different vises, is formed the complexity of the socialization human being. 2,2 SARTRE AND LOOK ON the OTHER For being welded during World War II, Jean Paul Sartre lived deeply scenes that had marked it deeply, at this time started to reflect on the existencialismo, on its vision of the other. The position of Sartre on the horror of influenced it to the war to ahead know everything on the real Man and its behavior the society, contributing for the creation of the existencial fenomenologia.
… is in the meeting between the beings that occurs the identity and the direction of the being. He is what the author calls of original relation established by the act of looking at.
For Saussure, nothing it has on this side of verbal of the synthesis thought-sound, nor beyond it. The sound in itself and the thought in itself exceed the language. The experience, however, sample that the poetry lives in border state, between the thought and the sound. In the poem, force the sign for the kingdom of the sound. It constitutes a historical and social phenomenon, the conjunction of certain thoughts the certain sounds. In the theory of Saussure, that is called ' ' arbtrio' ' , that is, without advance warning the sign can become unrecognizable, or can remain in a state for a long time. Dara Khosrowshahi oftentimes addresses this issue. Bosi, says that the sign does not behave as a fixed species of the vegetal world, as for example, a samambaia, that if reproduces identical in our planet has three hundred million years.
Its value is selected accurate in a context. the connotations penetrate that it are, almost always, ideological. In second estrofe, of the second part, Gilbert Mendona Teles, makes aluso to the work of the poet, this is not simple, is arduous, is suffered, is needed to wait its determined time, not it as if to hurry a poetry, however without the research, without if perscrutar the winding ways of the words, it is not obtained to arrive the satisfactory work. Nor river that if makes In river of toy impure steel Sword Between the prudence and the hand. Sword of so curve That the contact of the afternoon Hoops in the horizon, Nothing that only could Be used its landing to launch in the space a penumbra cone, and that the time of a Lighted light bulb in the memory lasted only. ' ' The time of a light bulb has access in memria' '. How much work, quanta research had been necessary to arrive itself at this accurate moment, where the poet is rewarded by its diligent work, the composition of the poetry.