In contexts discursivamente equivalents, for literature the document reveals as a radically diverse status. RASP (1986) affirms that for history the papers of the document play a determinative function, already for literature it works as element auxiliary. ISER (1996, p.209) designates that ' ' the imaginary one is presented as one relatively new conceptual creation, and gains importance the measure that grows the skepticism with regard to what they would be fancy and imaginao' '. For the author, we verify the imaginary one in tedious, incomplete, fluid way and without a specific referencial identifies that it. But, although its existence in the tedious state, it is the condition to go beyond the existing one and to project the still inexistent one.
Therefore, the imaginary one is identical to an open space that, without indicating limits, allows the invention of the possible one as assumption of one another reality. According to Rock (1999, p.70) ISER it displays that, The fictitious one depends on the imaginary one to carry through fully what it has in aiming, therefore what it has in aiming alone points with respect to some thing, some thing that is not configured in result of if this pointing with respect to it: she is necessary to imagine it. The fictitious one compels the imaginary one to assume form, at the same time that it serves as half for manifestation of this. The fictitious one has to activate imaginary, a time that the accomplishment of intentions requires imagination acts. Thus, the fictitious one if characterizes as a specific transistion object form that if moves through the Real and of the imaginary one with intention to provoke its mutual complementaridade. 3. Description and analysis of the workmanship Gabriela, Cravo and Canela (2003) were translated into 15 languages, in editions that mark success of critical and of public.