hobbies & crafts

And then I realized: they have different capacities for light sources of different diameter umbrellas … Need to look for your light! So where do I start? Let's start with the number of light sources. Must be at least two. But if you can budget it is better to purchase three sets of 'stand-blaze-umbrella'. Now the background. In the background you try not to use a different synthetic fabrics (such as gabardine) because of their color shade can vary from pale purple to whitish-blue. And this is something we do is unnecessary.

By the way, as an option, you can use as a background drawing glued sheets of drawing paper. Start with two light sources. Scheme 1. We put a chair at a distance of 60-80 cm from the background. Have Umbrellas 45-degree angle to the subject at a distance of 120-150 cm and a level above his head sitting on a 50-80 cm and then matures a few 'why'. Why a chair close to the background? Thus we dobemsya background lighting without third source.

Why are umbrellas under 45 degrees? Firstly it gives the correct black and white image, and secondly a shadow on the subject will 'fall' outside the frame. Why umbrellas above their heads portrayed? To more three-dimensional image. You may say that this particular scheme you and offer the very beginning? Agreed. But there is little nuance. You must correctly pick the flash and the diameter of the umbrella. If you have adjustable outbreak, it is quite suitable umbrellas with a diameter of not less than 60 cm If you have Flash type UFO SDW-45, it is desirable to have an umbrella with a diameter of 100 cm When all will be exposed, there will probably need to be refined distance from the umbrella to the subject in accordance with your concepts should look like picture to the documents.

Control your spending means that you should not spend money that you have not yet paid. If money is not enough, much more promising to look for a new customer than a new camera. So easy spend the money if your business is sluggish and not intense, and you have a lot of time to convince yourself that you will be able to everything – and it will go, and income – as soon as you buy this or that. In rare cases, it is true. In most cases, these ideas are infertile, and better to wait until your case will allow you to develop and buy something than to base everything on the speculative, theoretical acquisitions. Should be viewed as a serious purchase reward for hard work and the emergence of income. Be flexible majority of British photographers who do not have studio, receive income from various sources.

Some combine a photograph with the work on a full or part-time employment. Those who are entirely dependent on the photos, combine revenues from the sale of images to publishers, catabatic agencies, conduct exhibitions, make calendars and greeting cards, write articles and conduct courses that deal with portraiture. Proportions can vary, but all of the terms of obtaining money from the various activities is quite wide. I doubt that in Russia everything is different. I guess this means that very few of these markets are large enough to ensure the work of many specialists, and for most people, you must have photographic and business skills in various areas to succeed. Similarly, the case with the portrait studio.

I see that the people there advertise themselves as a wedding and some commercial photographers. This all suggests how flexible you can be, to fill their time and organize work of his studio with maximum efficiency and effectiveness. By large, specializing in some narrow field is available only very successful, and only in certain areas, such as fashion, advertising and photojournalism, the way in which complicated and does not begin with a simple hobby. In these areas unlikely to get from an amateur environment. 'and additions of commercial advertising photographer: "Usually people have no idea what Labor stands to make a good photograph or to expensive commercial shoot. I give each client a small booklet titled 'That's what I'm doing, how I do it and why my prices look that way. " If customers will be able to understand what a difficult job you have, it stimulates them to pay good money. But if even after the booklet they ask 'Why is it so much', I politely refuse the order. Such people are never satisfied with anything in the future can ruin the reputation of the photographer, berating him on every street corner. "

So, install your choice of either two planochki to 1GB DDR2 – 800, or two planochki 2GB DDR2 – 800. How many hard drives must be in the computer for video editing. Let We will understand how much we need hard drives. The disk subsystem is an essential element directly affects the performance of your computer. To expedite the work is highly recommended, even at home use at least two hard drives. When mounting take video from one hard disk, and the finished result is written to another. One head only writes, the other – just read. Gain in speed reaches two or more times (For practical tests in video editing programs).

In this case, it is not necessary to have a disc-record holders. You can use any SATA drives with the best on the day of purchase price / volume. But the amount of hard drive should be sufficient for your work, so this component is also not worth saving. Hard disk drives with 640GB and 16MB cache buffer, the ratio of price-volume to date are virtually no competition. For comfortable work necessary to have three hard drives – one smaller one, for the system, software and system files, and two large.

One, as already mentioned for your video archives, archives of music, footage, visuals and other pieces, one for writing the finished processed material. Strongly discourages the Raid arrays. The speed is practically the same as a two-disc 'from one to another', and the reliability and ease of use on the order below.